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When he read the script he said I had made a terrible hash of it because I'd cut out a lot of his friends. I pointed out that the book contained hundreds of names and I had to cut it down or else the film would run for three days. He said, 'That's your problem. If you don't get my friends in, I won't double for the film,' because he was going to double for Kenneth More in long shots. I explained to him that that wouldn't stop the film being made; I said that we would undoubtedly find someone with a disability similar to his - which he did.
In fact a number of his friends had helped me with the script, although we didn't tell Douglas that. Douglas wasn't in the film at all. Angel later said that his favourite part of the film was when Bader was trying to learn how to walk again in hospital. The film fared well with the public, being the most popular film in the UK for When the film was released in North America in , the American release version was slightly altered with 12 minutes edited out.
Rank made a concerted effort to ensure the film was successful in America, sending Kenneth More over to do a press tour, and setting up Rank's own distribution arm in North America, but the public was not enthusiastic. Bader recognised that the producers had deleted all those habits he displayed when on operations, particularly his prolific use of bad language. Bader once said, "[they] still think [I'm] the dashing chap Kenneth More was". From Wikipedia, the free encyclopedia.
Redirected from Reach for the Sky film. For other uses, see Reach for the Sky disambiguation. Beiseigel Gareth Wigan as Woodhall's Assistant.
British Cinema of the s: The Decline of Deference. Oxford University Press. Retrieved: 6 May Anytime, Anyplace, Anywhere never stops reminding you of the first lesson of Southern rock: that good times get more valuable because of the risks you have to take for them.
Rather than sounding just plain stoned and out of it the way he did last year , Gregg Allman at least has the aggrieved tone of the town drunk wrangling with a cop. But, if possible, everything is even less convincing. Practically all the cuts trade shamelessly on an image the Allmans stopped living out years ago.
Once again, the only Allman in the Allman Brothers Band is pretty near irrelevant. Dickey Betts is the dominant personality here, and he has the charisma and poetry of a parking meter. Faction Entertainment. Evergreen Terrace. Mass Graves. Strength Through Suffering. Strangers To Wolves. Indianola Records. Sumerian Records.
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